I started to build the door in late February / Early March but quickly realised a significant issue…. How was I going to get it into the exhibition space.. It was becoming too heavy to pick up and I hadn’t extended the legs.. I held off from building it until I had a plan.
After speaking with Jonathan and others about the possibilities, it seemed I was making a bigger issue out of it that it turned out to be. What was needed was some ruthless determination and hard graft. I took the whole door down for my open studios. It had been standing incomplete for almost 4 months! The best outcome of this was testing its ability to stand freely. Or at least that’s a good way of finding reason from inactivity.
I managed to get everything transported to Wilson Road on the 21st June. Luckily the BAs didn’t end up using the basement space, so I was free to work in there. I was working quickly, but not too quickly as to rush it. I’ve been slightly anxious about whether or not it would work. I still need to get on with it tomorrow, potentially to install a fake wall and screw brackets into the door to ensure its straight and doesn’t fall on any of the visitors!
(That’s another health and safety issue to add to the list. Fear of being electrocuted, crushed, suffering motion sickness and / or an epileptic fit…. Hopefully someone likes the work (and none of the above happen):(
BUT overall I’m happy with the outcome as I successfully turned a fireplace into a door.
Below are some photos of the build.
Well… it appears that the Facebook owned company have gone another step further in their virtual reality dream, and have created a device that allows the user to touch things within the virtual environment….
Oculus Touch has two controllers, one in each hand, and vibrations move through the hand, simulating this virtual sense. What are the possibilities of this on virtual artwork? Unlike galleries today where the work is cornered off with motion sensors and the beady eyes of invigilators, could this bring a new element to art and the audience’s experience?
To be honest, it looks like a PS4 controller has been sliced in half, and been given a halo but its probably one of the more revolutionary designs for console controllers since the Nintendo Wii, or lack of controller, Xbox Kinect. Then again, these things should be judged on their application and ability, not their looks and purpose alone.
We’ll have to wait and see…. but in the meantime, the dream is exciting.
It’s pretty clear that Oculus Rift is getting closer and closer to being a viable commercial product with a lot of possibility, then again, so are many of its competitors.
I still haven’t tried one!!! which is frustrating more each day… as I’d love to get my hands on the developers kit. My nerdy, techy side needs to be indulged.
Just to continue from a previous post. Here’s a slightly more finished video, demonstrating Google’s Project Soli.
Think Minority Report…… without the gloves…..
I’ve been assembling a new version of the circuit I completed last term. With Ed’s help, I’m trying to attach a much larger light source to the Ultrasonic sensor. I’ve had to start using transistors to amplify the current for more LEDs. Alongside this, I’ve also had to add an external power supply. Unfortunately I think the one HC-SR04 sensor I own has broken! So I’ve had to order another, which won’t arrive till next week…. So this is on the shelf till it arrives.
I’ve been thinking about the interim show and what I hope to exhibit. If all goes to plan, I aim to use this circuit with a canvas. Instead of laser cutting an image into board, placing it on top of a square of LEDs, and covering it with a thin white material, (Sheets, paper, etc). I’m going to create my composition on the back of a canvas using duct tape. The duct tape will block the light from coming through the canvas, and the image will be displayed.
My recent post (Followers 03063015) as well as previous experiments with similar multiples of imagery, are examples of the sort of composition I hope to use. The Ultrasonic circuit runs on the idea of false discoveries, believing that your the first to find something, like a piece of information. The experience originally aimed to replicate finding something with a torch or head torch in a dark environment. It aims to mimic the way we interact with consumer technology, in terms of us having to activate its use. There are a few questionable elements to this idea, most importantly the word FUNCTION in artwork. Instead of simply being a reactive gimmick, this element aims to question the necessity of consumer technology’s reaction to the user. Given the intimate and personal nature of smartphones, smart watches, laptops and tablets, the simple, easy to use interfaces give a false perception of connection. Obviously my iPhone works no differently to anyone else’s (other than maybe the cracked screen thats been there for far too long), but still, I feel an intimate connection to it as it stores and gives access to my sensitive information, calendar, social media profiles, contacts, emails, even books and articles. This reliance on the interface, particularly touch screen technology, is fluent in our society and will only grow as we find more uses, or indeed a more advanced interface. (Look at Google’s Soli Project). Alongside this idea of discovery, I’m interest in looking at temptation and addiction.
The AppleWatch, another piece of consumer tech that the naysayers couldn’t find any use for, but since its release, has been particularly successful. One of the most interesting and questionable of its uses is online betting. Late night TV is riddled with adverts for betting apps. All of these sell their product on the fact that its too easy to use, you can bet wherever you like, and in any way you like, be it slots / roulette / black jack / football / boxing etc. The AppleWatch is no different, and as it interacts with the apps on your phone, these betting options take themselves to a new level of accessibility. There is no longer any need to get your phone out of your pocket to place a bet on the football game your watching in the pub. Mix this fact with a few too many drinks, and you have a dangerous interface upgrade for gambling addicts. This idea of digitally enhanced addiction I find very interesting indeed. Can you be addicted to social media? the news? even the weather? (addiction to the weather is obviously absurd, but the desire for constant live updates of any kind is the point of all this). Is there potential for media addiction in this way? and what role does the interface play in this question?
Can this addiction relate to our bodies? The AppleWatch uses a new type of sensing technology to detect our heart rate and activity levels. This is not a new piece of tech, its just a new way of doing it. I believe they shine a light from the bottom of the watch, onto your wrist, and this somehow detects your blood movement. Health apps and health tech is rising fast as an industry. At the moment, there’s a very serious strain on the NHS, both in the hospitals and GPs. If this sort of technology could count our red blood cells, white blood cells, oxygen intake and every other necessary parameter to understand how healthy we are, could this help the NHS focus their efforts on the people who truly need care. This sort of technology would free up time for doctors and nurses, as they themselves wouldn’t need to take the tests. If we were given this technology, could we become obsessed, even addicted to monitoring our own health? There are many health addicts and gym monkeys around, but what if the first thing you checked in the morning were the parameters of your own body? This is a necessity for people with Diabetes and other serious illness, but if the technology was available, and had an easy interface, why wouldn’t this translate itself to the general, healthy public?
Again, this is a post with a lot of ifs and buts, and unanswerable questions, but there’s no doubt that they are both relevant and interesting to consider.
I’m trying to drive the idea of this Ultrasonic Circuit in the direction of consumer interfaces absorbing the user. This can be both for good and bad reasons. On one side, absorbing the user can benefit the creators (Betting apps, targeted marketing) or on the other it can benefit, not only you, but also the community (Disaster warnings, health advice, large-scale events.) Either way, like a moth to flame, we react to the interface’s perceived awareness. On the negative side of this, I like the idea of comparing it to Anglerfish, the deep sea creatures that use lights to attract their prey, or even the Sirens, who attract men to sail too close to the rocks by the sounds of their voices. This is best known from The Odyssey, yet, Odysseus (or Ulysses) cleverly warned his men and told them to put cotton wool in their ears to stop them from being distracted. In the end, i guess this post has come down to the ideas of discovery, temptation, addiction, their roles in consumer electronics and our role as the user to be aware of both the dangers and the benefits of an increasing reliance on personal, transportable interfaces.
The Siren, Edward Armitage, 1888
Ulysses and the Sirens, John William Waterhouse, 1891
An interesting point to end on is Candy Crush. A record breaking app thats played by 93 million players a day started by a company thats now $7.1 billion. Its simple game, heart-warming colours, candy and sounds are a temptation, and unfortunately the nature of the game itself is addictive. It benefits the creators and the users but still is there something a little odd about its popularity?
These are a few extracts from an article written by Dana Smith, a Psychology Graduate and Science Writer at The Guardian, April 1st 2014:
This is what Candy Crush Saga does to your brain
“First off, it’s simple. The premise of Candy Crush is basic enough for a preschooler – just match three candies of the same colour. Initially, the game allows us to win and pass levels with ease, giving a strong sense of satisfaction. These accomplishments are experienced as mini rewards in our brains, releasing the neurochemical dopamine and tapping into the same neuro-circuitry involved in addiction, reinforcing our actions. Despite its reputation as a pleasure chemical, dopamine also plays a crucial role in learning, cementing our behaviours and training us to continue performing them.”
“Steve Sharman, a PhD student in psychology at the University of Cambridge researching gambling addiction, explains that the impression that we are in control of a game is key to its addictive nature and is vital when playing a slot machine, for example. “The illusion of control is a crucial element in the maintenance of gambling addiction … [as it] instills a feeling of skill or control,” he says. “There are a number of in-game features [such as the boosters in Candy Crush] that allow players to believe they are affecting the outcome of the game, and in some cases they are, but those instances are rare.”
“Another feature of the game that strongly affects how we respond is the limit on how much we can play at any given time. Candy Crush effectively puts you into “time out” after five losses. This means you can never be completely satiated when playing and always leaves you wanting more. And by not letting you play, the game actually becomes even more rewarding when you are let back into Candyland. This is also how Candy Crush makes its money, letting you buy back into the game if you’re willing to purchase extra lives.
Researchers from Harvard and the University of British Columbia have demonstrated this effect, called hedonic adaptation, in a study using real-life candy bars. Participants were divided into two groups: one was told to abstain from eating chocolate for a week, while the other was given pounds of the stuff and told to go wild. After one week, the participants were brought back into the lab and given a piece of chocolate to savour.
The results? Those who had been deprived rated the chocolate as significantly more pleasurable than those who had been able to eat it freely. So it seems the deprivation makes the reward that much sweeter in the end.
Finally, it is no coincidence that the game is played with pieces of candy. As Sharman points out, food is often used in gambling games (think of the infamous fruit machine), tying our happy associations and the pleasure we derive from eating into the game. King acknowledges that candy’s positive associations help make the game more fun and relaxing.”
Another interesting aspect of Candy Crush, you gain lives if you manage to invite friends to the game…..
If you search Candy Crush addiction online, it comes across as a genuine thing, although its mostly people pretending their addicted, and joking about it…. are they joking?
How long do some of these 93 million people play Candy Crush a day? and what happens if they get it on their AppleWatch?….
In 2013 I was an avid Candy Crusher, I can happily say that I’ve gone well over a year without playing, and I have no intention of looking back… Hallelujah.
VR headsets are poised to take on the commercial technology market in the coming year, however their true application could be in the hands of designers and architects, as this BBC news article shows. Giving warship designers the ability to see and travel through their latest designs, is essential in an industry that has to make the most of its money.
BBC Article: “Virtual Reality aids BAE Warship Design:”
“Virtual reality technology is being used in the construction of Royal Navy warships in a bid to build them more cheaply and efficiently.
BAE Systems hopes the technology system will become a fundamental part of the engineering process.
“Visualisation technology is transforming the way we design, build and deliver complex warships,” said Mick Ord, managing director at BAE Systems’ Naval Ships business.
“By creating a virtual prototype, we can mature and optimise a ship’s design and gain a real understanding of the vessel and the experience of those serving on board before manufacturing begins.”
The system has been installed in three sites – Glasgow, Portsmouth and Bristol.
Visualisation suites with huge screens allow engineers, equipped with special glasses and a controller, to walk around the computer-generated ships and inspect the innards of the vessels to see whether there are any potential issues with the design.
Howard Wheeldon, an independent defence analyst said that the system had a lot of benefits.
“There are a lot of people involved in ship design so to be able to do it this way is absolutely brilliant and should be the way forward in other areas of engineering,” he said.
Engineers at BAE Systems, the firm contracted to build vessels, are creating virtual versions that can then be examined in detail before any actual steel is cut.
Previously engineers had relied on wood or cardboard mock-ups of ships.
The system is currently being used to develop three offshore patrol vessels.”
The video below is from another BBC news article from a little over a year ago. It shows a similar technology used to map the leaning tower of Pisa. Jump to 2:02 to see the user interacting with an entirely digital impression of the tower. Using projectors and controllers, he is able to move through an environment made up of different data points. The contraption used to measure the space jumps around almost like an out-of-control garden hose, but the final impression of the building, and the way the user interacts with it, is a very exciting prospect.
This sort of technology used in a visual art context could help to create more intuitive and immersive installations, films, sculptures, artworks etc. I’m especially interested in the ability to create real-life size buildings and sculptures within virtual space. This is a technology i aim to get my hands on sooner or later….