I had my tutorial with Jonathan on Friday. We spoke about the logistics for the final show and the best way to present my final piece. Although I’ve had some breakthroughs in producing VR content in Unity and Blender, I’m still not entirely sure which would be best for the show. On one side, if I can get my hands on an Oculus or Vive, a PC based Unity build would make it possible for the viewer to explore the environment as they wish. However its proving difficult to get my hands on one for the final show, so I’ll have to consider a rendered equi-rectangular film to be shown on a google cardboard. (I could explore simplifying the Unity build to allow it to be app based, but it wouldn’t have the same impact as the PC version). It’ll most likely have to be a rendered film. There are benefits to both options, however conceptually and aesthetically it’d be better for the viewer to have full control of their movement.
Thinking through the presentation for VR in the gallery, there’s the important question of user experience. I’m apprehensive about the funfair/arcade-style queueing that I’ve seen at a number of exhibitions, but there’s nothing I can do about it. The emergence of the technology makes it currently very attractive to try no matter the context. This fact gives an added pressure to the outcome. Realistically, during the private view, I’ll have to be organised and if I were able to use the open world version of the work I’d have to restrict the time of each viewer’s experience depending on the interest. This can be done a number of ways though I’ve been considering a script that cancels all colliders after a certain period of time, forcing the FirstPerson to fall through the structures, ending the simulation. However, again, this is for the PC version of the work.
The other option is a 5/6 minute fixed animation on a loop. The biggest pro for this option is the quality of the final render and the fact that the headset will be portable (potentially multiple headsets). The biggest problem would be the battery life of the phones.
As for the physical door, I’m going to have to go at it with a Jigsaw and re-arrange it at Wilson Road. My other option was to try to borrow a horse box….
I’m currently working on my Symposium 2. The Research Paper settled my conceptual interests in the freedoms and restrictions of religion/spirituality and the internet. Within this I approached and considered addiction, identity, disembodiment and propaganda within this question. My interest in the relationship between user and device has been inspired by Nam June Paik’s work, which has evolved rapidly since studying his work in more detail for the paper. This time last year, we began to form our research questions, and at the time I didn’t expect it to have had such an impact on my overall practice. It has allowed me to consider the concepts in a purely academic context. ‘The Medium is the Message’, (Marshall McLuhan), and Virilio’s ‘Information Bomb’ have been important texts during this process.
In many ways, my concept hasn’t changed for the last 6 or 7 months. The idea of a Gateway, a device as access to an extension of physical space and identity. My interim exhibit ‘Congregation’ was also an attempt at exploring this idea. Aesthetically, I’ve tried to develop ideas from early in the MA such as trying to represent to multiple identities one holds online and the physical, 3-dimensional make-up of everyday information.
As i’m approaching the final weeks of the MA, I’m happy to be in a position where there are aesthetic and conceptual choices that can be made rather than rushing to finish. Though, I’m aware that its looking less likely I’ll be able to secure a headset for the final show, which makes the Unity experience I’ve been developing somewhat frustrating / partially obsolete. Depending on what happens with the headset, there may still be an 11th hour panic!! Mainly the issue of organising and rendering the film.
I’m still making changes to the work, and having been through a number of versions, in recent days, I can see significant changes happening before the final exhibition version.