I met with Ed before the Low Res. We discussed how to organise the electronics for the final show. I’m still set on including a circuit that uses an Ultrasonic sensor to reveal an element of the work as the audience approaches, but the idea has simplified slightly. Instead of using LEDs, the plan is now to use Halogen bulbs as they’re brighter and can be dimmed nicely. I’m upgrading to a stronger Ultrasonic Sensor that will be embedded in the piece.
Ed attempted the circuit etching last week in the Studio, but we had some problems with the UV lamp. He’s going to attempt it again in his own time as I’m away until the beginning of April. I’ve bought and tested the scrim that these lights will be behind. I aim to create the shadow play with large perspex sheets, duct and electrical tape. The image created in the shadows will reflect a similar aesthetic to the architectural, linear images I’ve been working with. (See below). The sensor will be embedded into the doorframe of the final work. (More details on this to follow).
I will publish a post of the working circuit when I can to capture each component of the final work separately.